[383].Letizia Treves, Beyond Caravaggio, exh. cat., National Gallery, London (London, 2016), pp.66——69.
[384].Kenneth Clark, The Nude: A Study in Ideal Form (New York, 1956), p.148.
[385].Heinrich W?lfflin, Renaissance and Baroque, trans. Kathrin Simon (New York 1961), p.85.
[386].Jacob Burckhardt, Recollections of Rubens (London, 1950), pp.42——44.
[387].See Per Rumberg, ‘Van Dyck, Titian and Charles I’, in Charles I: King and Collector, exh. cat., Royal Academy, London (London, 2018), pp.150——155.